Leverage and the Power Dynamics between Dana and Rufus

There is tension between Dana and Rufus throughout Kindred, at the beginning mostly because of their racial and gender differences, but only getting worse as they become more attached to each other and the other characters. They understand their mutual connection to varying extents -- they both know they're bonded for some reason, neither fully understand the time travel (who does?) besides that Dana shows up to save Rufus's life, and only Dana knows that she is Rufus's great-great-whatever-granddaughter. But because of their relationship -- especially the familial aspect -- they are linked and depend on each other to survive. As a result, they both have leverage over the other, which combines nastily with the societal power dynamics between a white man and black woman in the 1800s. With those two, it frequently feels like a frustrating back-and-forth between who can out-threaten the other into doing what they want, and often with significant, harmful stakes, causing the reader to constantly question who has the most power in the relationship, and what the implications may be.

Let's start with Dana. For whatever reason, Dana is called back to Rufus's time whenever he is in trouble, and she seems to be the only one able to save him in each circumstance. As long as Rufus never discovers that Dana must save him or she would die herself (which we will get into more later), that's some pretty solid bargaining power -- "do what I say or next time I'll let you die." And even though her identity as a black woman puts her at a serious disadvantage in Rufus's time (see previous parenthetical), I do think that something about Dana's knowledge of the future and the assuredness with which she carries herself intimidates Rufus a bit, consistently reminding him that he does place his life in the hands of her and her modern medicine. The fact that Dana has to act as a slave on the plantation also means that she can connect to Alice a lot better than Rufus can, putting Rufus in the position of asking Dana whenever he wants to send a message to Alice (which obviously isn't great, but at least Dana gets some say in the message Alice receives). In addition, the few times Kevin is with Dana and pretends to be her owner, Dana is able to have a little more freedom and separate herself from the Weylins (primarily through physical distance when she sleeps or works in Kevin's room).

Although Dana continuously saving Rufus's life should pretty much seal the deal on who answers to whom, there are many reasons why one could argue Rufus has as much, or even more, leverage on Dana as she has on him. First, and most obviously, whenever Rufus and Dana meet in Rufus's time, over pretty much any other dynamic there may be between the two, Rufus is still white and can harm Dana however he sees fit, at any time, with virtually no immediate repercussions (only made worse by the fact that it is only by extreme circumstance or drastic measures that Dana can escape back home). Of course, the long-term worry for Rufus is that Dana will stop saving his life, but (and this is me just hypothesizing) I think Rufus knows that Dana is generally not the kind of person to leave someone to die, no matter how terrible they are. He also doesn't know that Dana couldn't leave him to die anyway, lest she never be born. So, Rufus can afford to (and often does) push it with Dana and the other slaves. A large part of both Rufus's pushing it and Dana's position as a slave is that even if Rufus doesn't punish the slaves (or necessarily want to) himself, he can at any time point out to Dana, "if you don't do [insert command], [insert slaveowner] will punish [person]." I personally think the instances in which he implies a threat like that are some of Rufus's grossest, most manipulative, most evil moments (which is saying something).

As the relationship between Dana and Rufus grows more complex and they gain more leverage over each other, they also end up locked in a battle with another entity: time. At the beginning, neither could control a whole lot because Rufus couldn't call Dana, nor could Dana leave, on purpose. Dana also needed time to go quicker so that Hagar could be born, and Rufus in many ways wanted time to go slower, especially towards the end, when he became fixated on Dana not "leaving" him. In small ways, both ended up learning some of the rules of time travel, including that fact that at different times they attempted or committed self-harm to transport Dana. And by the end, once time truly had little power over Dana (once Hagar was born), and Rufus became more desperate and assaulted Dana after Alice's death, Dana once and for all made the decision to kill Rufus, losing her arm in the process. And thus their tenuous power struggle concluded.

Dana and Rufus had to constantly play a delicate game of bargaining to ensure their own survivals, and I'm not sure who (if either) ever had more power. What I am sure of is that I missed many other potentially significant details within their intricate relationships with each other and with the timeline. In the end, though, for better or worse, both characters fulfilled the destinies that time had written for them.

Comments

  1. Dana and Rufus's relationship is truly the center of this novel to me, and there's just so much evidence to cite whenever one discusses it. I think you do a really good job of highlighting the main characteristics of their relationship, which as you said, is mainly a power struggle. I also like how you brought up why it feels so much like a power struggle, which is because the two of them desire opposite outcomes. While Dana wants to leave Rufus's time permanently as quickly as possible, Rufus wants her to stay for as long as possible. This difference in motives heightens the tension and obsessive nature of their relationship.

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  2. It's definitely tricky to try to grapple with the power dynamics between Rufus and Dana. As you've explained, Dana has the big power over Rufus in that he needs her to save his life, but in turn, Rufus has an immense amount of power because he is a white man in the south during a time of slavery, and on top of that, Dana needs him to live so that the family line will continue. I'm also not sure who has "more" power, but it is interesting to think about. One thing that's also of note is that Dana at least knows of the power each of them hold, whereas Rufus doesn't know of one of his biggest powers over her - the family connection and need for him to stay alive.

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  3. Good post! The relationship between Rufus and Dana is a continuous battle of one-upping and threatening the other, which also forms a sort of overdependency between the two. Eventually, Dana understands the position she stands in and severs ties with Rufus by killing him, severing her arm in the process. Additionally, she takes some serious mental blows from this excursion, thereby highlighting the abusive and destructive nature of their bond.

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  4. You make a good point about the unique kind of leverage that Dana is able to wield over Rufus, not only with her *willingness* to save his life over and over, but her seemingly "magical" abilities to heal him using 20th century medicine. Her Excedrin tablets and aspirin seem like magic amulets to Rufus, and even though Dana keeps feeling like a total amateur in terms of medicine (I can so relate to her trying to remember basic stuff about first aid, in the heat of an emergency), to the people on the Weylin plantation she's like a sorcerer or something.

    But there's a negative/backlash aspect even to this power and authority, which reminds Dana how she remains embedded in the 19th century racial and power dynamics: when she is unable to resuscitate Tom Weylin as he suffers a heart attack (she has no defibrillator handy!), Rufus blames her for "refusing" to save him, and she has to struggle to persuade him that it was out of her hands. There are unanticipated risks and downsides to her "leverage," which is ultimately trumped by Rufus's arbitrary race-related authority in the context of slavery.

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  5. I feel like Dana and Rufus's relationship is one of two organisms that are dependent on each other but then still can't properly cooperate, by part because Rufus is a piece of shit and Dana is conflicted between being the 20th century progressive and informed black woman she is but also trying to survive in the 19th century. Dana tries to pull Rufus out of the nightmare that is the 19th century but the more she tries, the more she pulls him in because he does need her help but he also can't accept it gracefully because in the world that they're in, there's this extremely messed up power divide between them. Nice post!

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  6. I love this post! I think you do a really good job laying out and articulating the balance of power between Rufus and Dana, and I think you got pretty much everything. The only thing O would say is that during the time when Rufus was no longer a child, but before he was having children with Alice, Rufus had an upper hand to Dana. It was during this time that Rufus isn’t afraid to take more power in the situation and upset the balance they have, whereas Dana sees the balance as an “understanding” between the two of them that neither will shake the boat. Because of this, near the middle of the novel, Rufus is able to take the upper hand in many instances because Dana, through a different understanding of the situation and emotional links to Rufus, does not expect him to try and do so. She has to kind of scramble to first truly accept what Rufus is doing and not keep excusing it, and then later actually figure out what to do in response. It’s as she reorientates herself in a new situation where she and Rufus aren’t prioritizing the balance in their relationship over all else, that she begins to be able to fight back in some ways when Rufus oversteps, and culminates in her actually going through with killing Rufus.

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  7. The power dynamics between Dana and Rufus are absolutely crazy as they are intensely difficult to truly imagine and comprehend. As I wrote in another post in response to Titus's comment, Dana has that "fairy godmother" feel in the respect that she comes saves him, offers Rufus someone with a different perspective which shapes his understanding, and becomes somewhat of a journal to share his thoughts with. However, Rufus never truly gives up power (besides from the times he's about to die in which he's absolutely useless and Dana has to save him) to Dana and ultimately stays in that powerful role until his eventual downfall at the hands of Dana's knife. With the environment that Rufus has grown up in, along with the wacky situation all-together of a random black woman from the future coming to save Rufus's life, it makes sense that Rufus does not really feel indebted to "answer to Dana." After all, after Dana leaves, nothing changes overnight. Rufus still experiences his everyday world in every second of every hour of every day until Dana returns.

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  8. This is a great analysis of Rufus and Dana's relationship. I think that they're both dependent on each other during the time before Hagar was born. But, after that, Dana is solidly in a better position to bargain, since she now no longer depends of Rufus having another child to be allowed to exist, although Rufus doesn't know that she has more leverage now and I think that's part of the reason why he is so surprised that Dana kills him after he finally crosses the one line that Dana ever truly set.

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  9. This is a really thorough, well-written analysis of the extremely complex power dynamics between Dana and Rufus! I think a really important piece of this relationship is that as Rufus grows to take on more responsibility on the plantation, Dana comes to realize that allowing him to die will harm not only him, but also all the slaves on the Weylin plantation. As you point out, Rufus's ability to control Dana by threatening others in a crucial bargaining chip throughout their relationship, and this is kind of the ultimate culmination of that, keeping Dana locked in this conflict even after Hagar is born.

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